Where the film can’t quite find its balance is in its depictions of humour aimed for the adults likely to be in tow with their young tykes. The sight gags for each of the Looney Tunes characters – Bugs Bunny, Daffy Duck, Porky Pig, Foghorn Leghorn and Marvin the Martian, just a few of the familiar faces on hand – aim for the lowest comedic denominator, and the young audiences at bay are likely to be easily indulged. Of course it doesn’t make much sense – and LeBron never seems like he’s remotely worried or perplexed by the fact that he’s been transported into a computerised animated world – but A New Legacy never aims for overt intelligence. father championship in the animated Looney Tunes world that Al has compromised. downright looney, and because LeBron’s son ( Cedric Joe) is on the outs with his famous father over his interest in creating a video game instead of playing basketball, this naturally leads to the idea of a son vs. “server-verse” overseen by the villainous Al-G Rhythm ( Don Cheadle, clearly enjoying himself as he camps it up accordingly) – who doesn’t take too kindly to LeBron (unfortunately not flexing the charm he naturally possesses or displayed in his heightened Trainwreck performance) dissing the studio’s idea of injecting his likeness into a large number of their properties. Looney Tunes hook by introducing a villainous, self-aware A.I. titles that is genuinely wild in what it portrays – A New Legacy was an experience that made a few neat shots throughout its attempt to continually slam-dunk.Īdopting a different narrative than the first film, A New Legacy ropes in its LeBron vs. Whether it was a genuine entertainment or more aghast at some of the adult properties this film references – there’s one particular sequence featuring a slew of popular (and quite mature-aimed) Warner Bros. In fact, I’ll admit to seeing this film without much enthusiasm at all, so you can imagine my surprise when, whilst not being entirely won over, I was entertained by what was unfolding in the 115 minutes before me. For Space Jam: A New Legacy? Not so much. Similarly, if anyone was going to be considered a “legacy” in the same vein as Michael Jordan, it’s LeBron James.Īs a 12-year-old when the original film opened – and growing up in a basketball-enthused household to boot – I was undoubtedly Space Jam‘s target audience. Whilst the original film received a mixed reception upon its release in 1996, it made considerable bank and has, in the 25 years since, earned feedback of a more positive nature. Whilst subtitling the film “A New Legacy” seems a bit too confident for the team behind this Space Jam sequel, it’s arguably not straying too far from the truth in relation to its selected talent.
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